So much harmony of limb
I knew by being but could not parse it
Then when the finch was pecked down to its clear-as-wax-bones
imprint sang the idiom these little glowing letters
the little grains of sand within me
quietly they grew not by wish not by one
mineral spitting another or shards of limestone
twisting between breath and bog:
I have a sandman He wore gloves when he grabbed it
*
Many little omnivores I could make I feared for them
that flesh-fullness I feared them actually though a true woman––
she should not fear a thing she’s created Blown glass fun park
where through the shards my beasts on a leash my breasts
in a hammock Beasts shed talons industrious always
over the marks. he runs an iron and plants the seeds I clip
my nails–– clip clip clip he takes me and folds me into
the grey spell where kindred collapses My shirt next to
his shirt in the hanger brews discontent I have a sandman
He put my hand out into the dark from which birds never return
*
I opened my hand one day Inside was a seed
A woman can make many bodies but not
her own they make it that walk it I know a woman who knows this
She is a killer and named after a South American orchid
smooth as salt she reeks of mortality throughout but at the end
how is she in a phone booth in El Paso where nobody can find her
how she talks and smokes and kicks the blood dust into her hair
*
Different kinds of sand make different sorts of flesh
Where the dunes end so many mirages consorting
in the desert When you want for food. but are given
Cain-spawn remember: some women are deft at cards
some beasts eat only grass Before the sand
man there was breath ponderous cycads a woman
attracting moths her 8 ribs alight in a desert
Lilian Dube
Lilian Dube is a Ukraine-born Zimbabwean writer educated at the universities of Chicago and Oxford. Currently based in Sweden, Lilian has lived in several countries, including Norway and Hong Kong. Her writing explores elements of horror, history, and remoteness, which is inspired by her upbringing in rural Zimbabwe. "Anima" is part of a larger ekphrastic project commemorating the late Cuban-American artist Ana Mendieta.